Thursday, August 24, 2017

Borges: 118

Poema: "La dicha" by Jorge Luis Borges
Photo: "Cielo borgeano" by me


La Dicha

El que abraza a su mujer es Adán. La mujer es Eva.
Todo sucede por primera vez.
He visto una cosa blanca en el cielo. Me dicen que es la luna,
pero qué puedo hacer con una palabra y con una mitología.
Los árboles me dan un poco de miedo. Son tan hermosos.
Los tranquilos animales se acercan para que yo les diga su nombre.
Los libros de la biblioteca no tienen letras. Cuando los abro surgen.
Al hojear el atlas proyecto la forma de Sumatra.
El que prende un fósforo en el oscuro está inventando el fuego.
En el espejo hay otro que acecha.
El que mira el mar ve a Inglaterra.
El que profiere un verso de Liliencron ha entrado en la batalla.
He soñado a Cartago y a las legiones que desolaron a Cartago.
He soñado la espada y la balanza.
Loado sea el amor en el que no hay poseedor ni poseída, pero los dos
se entregan.
El que desciende a un río desciende al Ganges.
El que mira un reloj de arena ve la disolución de un imperio.
El que juega con un puñal presagia la muerte de César.
El que duerme es todos los hombres.
En el desierto vi la joven Esfinge, que acaban de labrar.
Nada hay tan antiguo bajo el sol.
Todo sucede por primera vez, pero de un modo eterno.
El que lee mis palabras está inventándolas.


Happiness (translated by Stephen Kessler)

Whoever embraces a woman is Adam. The woman is Eve.
Everything happens for the first time.
I saw something white in the sky. They tell me it is the moon,
but what can I do with a word and a mythology.
Trees frighten me a little. They are so beautiful.
The calm animals come closer so that I may tell them their names.
The books in the library have no letters. They spring forth when I open them.
Leafing through the atlas I project the shape of Sumatra.
Whoever lights a match in the dark is inventing fire.
Inside the mirror an Other waits in ambush.
Whoever looks at the ocean sees England.
Whoever utters a line of Liliencron has entered into battle.
I have dreamed Carthage and the legions that destroyed Carthage.
I have dreamed the sword and the scale.
Praised be the love wherein there is no possessor and no possessed, but 
both surrender.
Praised be the nightmare, which reveals to us that we have the power to create hell.
Whoever goes down to a river goes down to the Ganges.
Whoever looks at an hourglass sees the dissolution of an empire.
Whoever plays with a dagger foretells the death of Caesar.
Whoever dreams is every human being.
In the desert I saw the young Sphinx, which has just been sculpted.
There is nothing else so ancient under the sun.
Everything happens for the first time, but in a way that is eternal.
-->
Whoever reads my words is inventing them.

Cielo borgeano

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Thursday, July 27, 2017

Photopoetryblog: Watermelon Summer

Photo: "Sandía" by me
Poem: "Oda a la sandía" by Pablo Neruda


Oda a la sandía (por Pablo Neruda)

El árbol del verano
intenso, 
invulnerable,
es todo cielo azul,
sol amarillo,
cansancio a goterones,
es una espada
sobre los caminos,
un zapato quemado
en las ciudades:
la claridad, el mundo
nos agobian,
nos pegan en los ojos
con polvareda,
con súbitos golpes de oro,
nos acosan 
los pies
con espinitas
con piedras calurosas,
y la boca
sufre
más que todos los dedos:
tienen sed 
la garganta,
la dentadura,
los labios y la lengua:
queremos
beber las cataratas,
la noche azul,
el polo,
y entonces 
cruza al cielo
el más fresco de todos
los planetas,
la redonda, suprema
y celestial sandía.

Es la fruta del árbol de la sed.
Es la ballena verde del verano.

El universo seco
de pronto
tachonado
por este firmamento de frescura
deja caer
la fruta 
rebosante:
se abren sus hemisferios
mostrando una bandera
verde, blanca, escarlata
que se disuelve
en cascada, en azúcar,
¡en delicia!

¡Cofre de agua, plácida
reina 
de la frutería,
bodega
da la profunidad, luna
terrestre!
¡Oh pura,
en tu abundancia
se deshacen rubíes
y uno
quisiera
morderte
hundiendo
en ti
la cara,
el pelo,
el alma!
Te divisamos
en la sed
como 
mina o montaña
de espléndido alimento,
pero te conviertes
entre la dentadura y el deseo
en sólo
fresca luz
que se deslíe,
en manantial
que nos tocó
cantando.
Y así
no pesas
en la siesta
abrazadora
no pesas,
sólo
pasas
y tu gran corazón de brasa fría
se convirtió en el agua
de una gota.

Ode to the Watermelon (by Pablo Neruda, translated by María Jacketti)

The intense
invulnerable
tree of summer
is all blue sky,
yellow sun,
huge drops of weariness.
It is a sword
over the roadways,
a shoe burning
in the cities:
the clear shine, the world
oppresses us,
dust clouds
assault
our vision.
With quick strokes of gold,
our feet
are vexed
by small thorns
and the mouth
suffers
more than all the fingers:
we thirst 
with the throat,
teeth,
lips, and tongue:
we want
to drink waterfalls,
the blue night,
the polar cap,
and then,
the freshest of all
planets
crosses the sky,
the round, supreme
and celestial watermelon.

It is the fruit of refreshment's tree.
It is the green whale of summer.

The dry universe,
soon
decorated
with these fresh globes,
lets
the lush fruit
cascade.
The hemispheres open,
displaying a flag
of green, white, and scarlet,
dissolving into torrents
of sweetest ecstasy.

Coffer of water, placid
queen of
the fruit market,
wine cellar
of the deep,
earthy moon!
Oh pure one,
rubies break apart
in your abundance
and we want
to bite into you,
immersing
face,
hair,
and soul!
Thirsty, we anticipate
you:
a mine or mountain
of ambrosia,
but between teeth and desire,
you change into
simple, fresh light
melting into a spring,
touching us with song.
And so
you do not weigh us down
during the blistering
siesta.
You do not add gravity,
you only
pass.
And so
your great heart
of chilled coals
became a drop of water.

Tuesday, March 21, 2017

Photopoetryblog: Poetry day 2017: Homage to Walcott

Photo: "Reencounter" by me
Poem: Excerpt from Omeros by Derek Walcott


Book One: Chapter XIII: III

"Along this coal-blackened wharf, what Time decided 
to do with my treacherous body after this,"
he said, watching the women, "will stay in your head

as long as a question you have no right to ask,
only to doubt, not hate our infuriating
silence. I am only the shadow of that task

as much as their work, your pose of a question waiting, 
as you crouch with a writing lamp over a desk,
remains in the darkness after the light has gone,

and whether night is palpable between dawn and dusk
is not for the living; so you mind your business,
which is life and work, like theirs, but I will say this:

O Thou, my Zero, is an impossible prayer,
utter extinction  is still a doubtful conceit.
Though we pray to nothing, nothing cannot be there.

Kneel to your load, then balance your staggering feet 
and walk up that coal ladder as they do in time,
one bare foot after the next in ancestral rhyme.

Because Rhyme remains the parentheses of palms
shielding a candle's tongue, it is the language's
desire to enclose the loved world in tis arms;

or heft a coal-basket; only by its stages
like those groaning women will you achieve that height
whose wooden planks in couplets lift your pages

higher than those hills of infernal anthracite.
There, like ants or angels, they see their native town,
unknown, raw, insignificant. They walk, you write;

keep to that narrow causeway without looking down,
climbing in their footsteps, that slow ancestral beat 
of those used to climbing roads; your own work owes them

because the couplet of those multiplying feet 
made your first rhymes. Look, they climb, and no one knows them;
they take their copper pittances, and your duty

from the time you watched them from your grandmother's house
as a child wounded by their power and beauty
is the chance you now have, to give those feet a voice."

We stood in the hot afternoon. My father took
his fob-watch from its pocket, replaced it, then said,
lightly gripping my arm,
                                            "He enjoys a good talk,

a serious trim, and I myself look ahead
to our appointment." He kissed me. I watched him walk
through  a pillared balcony's alternating shade.


Reencounter




Wednesday, January 18, 2017

Photopoetryblog: "Caminante"

Poem: "Proverbios y cantares: XXIX" by Antonio Machado
Photo: "El camino que se derrite" by me

Proverbios y cantares: XXIX

Caminante, son tus huellas

el camino, y nada más;
caminante, no hay camino:
se hace camino al andar.
Al andar se hace camino,
y al volver la vista atrás
se ve la senda que nunca
se ha de volver a pisar.
Caminante, no hay camino,
sino estelas en la mar

-----------------------------
Translation by me (forgive me Sr. Machado):

Proverbs and songs: XXIX

Wayfarer, your footsteps are
the way, nothing more;
wayfarer, there is no way:
the way is made by walking.
By walking the way is made,
and by looking behind
one sees the way that will
never be traced again.
Wayfarer, there is no way,
only the wake on the sea.

El camino que se derrite